'Possessions' by Liam O'Brien appropriates aspects of horror and science fiction cinema to explore the relationship between technology, free will, and identity. ///

Jil Guyon follow with her visual work WIDOW_REMIX the faces and the body of a woman in the elements of change. ///

Hey You, by Tessa Garland.
The work takes the perspective of a menacing drone: watching people on mobile phones, hovering over shoulders and darting away to avoid detection.

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